Archive for the ‘photography’ Category

Many Birthdays at Emo’s – Free Week 2010

Here’s a photo of Henna Chou of Many Birthdays playing at Emo’s on Jan 3, 2010.  They were really fun to watch and they have an amazing sound.  I was hoping that more photos would turn out, and I took quite a few, but I’m just not there yet.  I will definitely try to shoot this band again, and I recommend making it out to one of their shows as soon as possible.

Henna Chou

There is an excellent interview with the band at Destroy All Monsters, a fun Austin blog with lots of local film reviews and other goodies.

Western Ghost House – Free Week 2010

Free Week in Austin is great.  It’s almost too good to be true, actually.  I even a feel a little guilty for going to so many free shows and taking advantage of the opportunity to practice photography without paying for more than a couple of drinks.  And it’s a great time to discover new local bands, bulk style.

I have been going out all week taking pictures of bands at various Free Week venues and I am finally starting to feel a bit more comfortable with my camera and my ability to capture something worth looking at during poorly-lit live performances.  In case you don’t already know, I suck at live music photography, but I’m trying to get better, and I really enjoy doing it, so I’m going to keep trying until I figure out how to get nice shots at live events in dimly lit bars and venues.  And I am going to subject my readers to all my mistakes and practice runs.  Sorry!

Anyway, Sunday night I went to Emo’s to see a series of bands I had never heard of.  Western Ghost House was first on the stage, and they were great, really fun to watch and they have a great sound.  If you get a chance to see them play, I highly recommend it!

The photos.  I am not happy with these.  I kind of like the picture of the drummer, but I don’t like that I had to ditch all the color in order to make it acceptable.  The other two photos are very disappointing to me, and I am determined to learn from these mistakes and figure out how to better deal with that type of lighting in the future.  It was the inside stage at Emo’s.

I Suck At Live Music Photography

There, I said it.  I’m an amateur when it comes to photography, a true newb.  I can’t afford the best equipment and I just can’t seem to get the results I want out of the gear I do have.  But I don’t blame the gear, not at all.  It’s more of a pebkac-style problem, I just haven’t figured out how to get nice clean shots in the dimly lit rooms of Austin’s various staple venues.

Slowtrain

Slowtrain

I have done much reading on the topic, consuming a few dozen articles and blog posts from pros who have SEO’d their websites enough to make it into the top page or so of various Google search results.  I have read books, and I have done a lot of experimenting with my limited gear (though probably not enough).  There have been breakthroughs, sure, and I have a few photos I like, but nothing I’m truly happy with yet.

But I live in Austin, Texas, the Live Music Capital of the World, so I’m taking the “practice makes perfect” approach to this creative outlet and hitting up as many shows as I can, determined to learn how to use my camera to get the results I want.  Wannabe photographers like myself residing in and around Austin are at a distinct advantage in this field due to the endless opportunities to practice the art of live music photography, not only because there are dozens of shows around town every night of the year, but also because smaller Austin venues don’t mind us bringing in our DSLRs and camera bags and clicking away near the front of the stage.  This is something to be very thankful for.

Anyway, I was at Hole in the Wall a couple of weeks ago to see The Preservation play their first show ever, and I had a new lens to play with, a 50mm f/1.4 that I hoped would be much, much better than my old 50mm f/1.8.  This is the most expensive piece of glass I have ever purchased, and I will surely experience marked anguish and remorse with each interest-laden payment I make to my credit card.  And while the lens certainly does not make me a better photographer, it is easier to use and more adaptable in the painful low light conditions of Hole in the Wall’s front-room stage than my old 50mm f/1.8.

For all those hundreds of dollars, there were only two photos I was even close to happy with when I got home that night, and the colors and noise were so bad I ended up converting them to black and white in an attempt to spare myself some embarassment.

Tip Bucketthe-preservation-20091221-av-1

Perhaps more importantly, The Preservation, made up of Mario Matteoli (of Weary Boys fame) and his wife Cayce Marsh, Andy Bianculli, Ben Burdick, and Josh Weinholt (of Slowtrain), was a pleasure to hear.  They play some nice mellow rock, and it’s really fun to see Andy Bianculli’s guitar style meshed with Mario’s leads.  I’ll probably cover these guys in more depth later this year, as I am sure they will only get better as they play more gigs.

Anyway, I’m going to keep practicing live music photography because I enjoy it and I am determined to get those clean, crisp shots like the pros, and I will very likely continue to share the results with the readers of this blog.  Hopefully you will give me some feedback and possibly even throw some tips at me if you happen to be experienced with this medium.